Kevin Saunderson Rock To The Beat Smith Selway Remix Zippy
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Kevin Saunderson's Rock To The Beat Gets A Fresh Remix By Christian Smith And John Selway
Kevin Saunderson, one of the pioneers of Detroit techno, released his classic track Rock To The Beat in 1988. The track has been remixed by many artists over the years, but none more so than Christian Smith and John Selway, who gave it a modern techno twist in 2008.
The remix by Smith and Selway was released on Saunderson's own label KMS Records, and also featured on the Fabric 35 compilation mixed by Ewan Pearson. The remix is a driving and energetic rendition of the original, with a catchy synth riff, a groovy bassline and a pounding kick drum. The remix also preserves the iconic vocal sample from the original, which repeats \"rock to the beat\" throughout the track.
The remix has been praised by fans and critics alike, and has been played by many DJs around the world. It has also been streamed over 3,000 times on SoundCloud, where you can listen to it for free. If you want to download it, you can buy it from Beatport for $1.29.
If you are a fan of techno music, you should definitely check out this remix by Christian Smith and John Selway. It is a great example of how to update a classic track with respect and creativity. Rock to the beat with Kevin Saunderson!
But who is Kevin Saunderson, the man behind the music How did he become one of the pioneers of techno and one of the most influential DJs and producers in the world Let's take a look at his biography and find out more about his life and career.
Kevin Maurice Saunderson was born on September 5, 1964, in Brooklyn, New York. He spent the early years of his life in Brooklyn before moving at around age 10 to Belleville, Michigan, a rural town 30 miles from Detroit. Saunderson first met future techno pioneer Derrick May when the two were fourteen. May had decided not to pay Saunderson after losing a bet and, one day at school, Saunderson punched May in the face, knocking him out cold and giving him a concussion. After the altercation, the two became best friends.
During high school, Saunderson and Belleville High School classmate Juan Atkins were fans of DJ Charles \"The Electrifying Mojo\" Johnson. Atkins and May soon became serious about mixing others' music and creating their own, but Saunderson pursued other goals first, studying telecommunications and playing football at Eastern Michigan University. Atkins had begun recording with Cybotron in 1981, but it was not until 1987 that May followed suit and made a record. Initially concentrating on becoming a DJ, Saunderson was inspired to create his own music after watching the six-month-long process as Atkins and May completed \"Let's Go.\"
Atkins shared his technical expertise with Saunderson, and those early sessions led to a track called \"Triangle of Love\". \"I used to wake up in the middle of the night, go into my studio â which was in the next room â and lay down the ideas as they came to me. At the time it was all about experimentation and being a college kid,\" Saunderson writes on his web page autobiography.
He released his first single under the name Kreem on Atkins' Metroplex label in 1986. The track was called \"Triangle of Love\" and featured vocals by his wife Lisa Swift. It was a catchy electro-pop tune that showcased Saunderson's melodic sensibility and production skills. He followed it up with another Kreem single, \"Keyed Up\", which had a more techno-oriented sound.
In 1987, Saunderson met Chicago house vocalist Paris Grey at a local club. They decided to collaborate on some tracks, and the result was Inner City, one of the most successful dance music acts of all time. Their first single, \"Big Fun\", was released on Virgin Records in 1988 and became an instant hit across Europe and America. It reached number one on the US Billboard Dance Club Songs chart and number eight on the UK Singles Chart. It also received a Grammy nomination for Best Dance Recording.
Their second single, \"Good Life\", was even more successful, reaching number four on the UK Singles Chart and number one on the US Billboard Dance Club Songs chart. It also received a Grammy nomination for Best Dance Recording. The song became an anthem for the rave generation and is widely regarded as one of the best house tracks ever made.
Inner City released their debut album Paradise in 1989, which featured more hits like \"Ain't Nobody Better\", \"Do You Love What You Feel\" and \"Whatcha Gonna Do With My Lovin'\". The album sold over six million copies worldwide and established Inner City as one of the most popular dance music acts of their era. aa16f39245